Japanese sound and visual artist currently working in Paris, France. His work employs data visualisation and pure sine sounds often at the limit of human hearing.
datamatics (2006) is an art project that explores the potential to perceive the invisible multi-substance of data that permeates our world. It is a series of experiments in various forms – audiovisual concerts, installations, publications and CD releases – that seek to materialise pure data.[1]
supersymmetry was developed as a result of his CERN (Conseil Européen pour la Recherche Nucléaire) Geneva residency in July 2014 until 2015. It’s an aesthetic and sonic experience inspired by quantum physics concepts of supersymmetry. While it does not directly make use of actual data and technologies used at the research centre, it is meant as an experience of what being stuck in a particle collider would feel like.[2] It was exhibited as a two-rooms installation at the Vinyl Factory in London in 2015.
[1] https://www.ryojiikeda.com/project/datamatics/
[2] https://www.wired.co.uk/article/supersymmetry-exhibition